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Minidi1

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Minidi1: Spoliation / Confiscation: of her Works of Art, of her original Investigations, of her original and own artistic sources, of her original manuscripts, of her original scientific investigations, of her robotic platform, etc, etc, etc, (it is around two tons), all this, spoliated/ confiscated, is yet unpublished, etc, etc, etc, etc, etc, etc, all this happened in 2014 in France, - all that is around two tons- (all this including from 2007 until 2014, and also including before 2007), all in context (scilicet, Crimes against humanity -against her, she is victim of that- and hate -against her, she is victim of that-), (this spoliation/confiscation of Minidi1 including also an awarded Work of Art, (international, intercontinental), - Sculptural installation in full colours, robotics - already publicly exhibited much earlier in other continent -Lima,Peru-.). Sadly, the Spoliation / Confiscation of Minidi1 was done with all impunity, with all tranquility, with all serenity.

Minidi1 demands, with good will, the immediate and complete RESTITUTION, without conditions, - and one by one -, of everything that was spoliated and confiscated her, all that in the same, complete and original state of when all that was spoliated and confiscated her in 2014 in France.

Minidi1 has confidence in the immediate good disposition and good will that everything will be realized of that good way. Thank you.

Career Level Professional
Experienced With Teaching engagements, Speaking engagements, Public art, Performances, Lectures, Leading workshops, For-hire services, Commissions, Collaboration

Natalia Miranda Yupanqui is a Contemporary Artist,Architectural Sculptor specialist in Urban Space and Public Art,born in Lima,Peru.As Professional Artist,as also at Academic level and Research,she had as direct mentor,principal and more closest tutor,research director and Professor,the Great Master Johanna Hamann,during all her BFA in Sculpture specialty at the Faculty of Art and Design,at Pontificia Universidad Catolica del Peru,-Deserving all time with Excellence and distinction at all levels(''Summa Cum Laude'',Record:16.5,-All jury,Johanna Hamann,Sonia Prager (Central Saint Martin's School of Art in London),Veronica Crousse,including Architect and Critic,Professor Arch.Maria Burela)-About Great Master,Johanna Hamann,she is one of the most important Contemporary Artists from Latin America and the Americas, and a mandatory reference of Architecture and Urbanism in Peru.(Please see her exhibition in the Brooklyn Museum of Art in NYC and the Hammer Museum in Los Angeles,''Radical Women'')-http://untitled-magazine.com/radical-women-latinamericanart-1960-1985-at-thebrooklyn-museum/ https://artandcakela.com/2017/11/19/radical-women-latin-american-art-1960-1985.

On the other hand Natalia Miranda Yupanqui is also Classical Ballet Dancer at Professional and Academic level (she started at eight years old),as also Choreographer and Artistic Director.Natalia Miranda had the privilege to be speaker at the CVR the Truth and Reconciliation Commission,the National Commission about the Civil war against terrorism in Peru,and crimes against humanity,she known the signification of war crimes including rape against women in different contexts,including civil war,colonialism,etc.

As Contemporary Artist,at Professional and Academic level,as also Research,Natalia develops proposals generated by constructions of imaginary cities from a poetical point of view,crossing notions of time,place and space from different perspectives on creation processes from different centers at different scales,spatial,temporal and thematic levels,displacing visions and perspectives in complex societies of a post-historical and post-geological era. –
– Ditto, Natalia Miranda had the privilege that one of her artworks
''Favela, A Promised land: A universal short story. About a contemporary
post-historical and post-cultural point of view'', was very well
appreciated and well received by Alejandro Aravena, Pritzker Prize
2016 and Artistic Director and Curator of the last Biennale di Venezia in
Architecture 2016.
(In that edition of the Biennale di Venezia, Peru has the privilege to win,
with my University and former Faculty Professors, the third place as
best National Representation).
Natalia Miranda likes particularly the work of Alejandro Aravena, the
American artist Phoebe Washburn, Johanna Hamann, as also Zaha
Hadid, Helio Oiticica, Ai-Wei Wei, Vera Molnar (Budapest, Hungary), etc.

Natalia Miranda has extended experience in research,
designing, creating, directing,developing, executing and implementing
projects of development, and art.
(Natalia Miranda was selected for different Art Residencies at
Professional and Graduate level with colleagues of four continents, she
has exhibited at Los Angeles Center for Digital Art in L.A, she was also
invited for the owner of a Gallery for a personal solo exhibition in his
Art Gallery of Paris/NYC, -and also with his Letter of Recommendation-,

then one year later invited for the Director and Curator to an Art exhibition

'Between Art &Science' in an Art Gallery in Paris, and later she was also
Research resident at the Franco-British Residence and Artist-in-
Residence for International Professional Artists in Paris at the Cité
Internationale Universitaire de Paris, Cité Culture-Théâtre de la Cité,

-Not as 'Amateur' or 'Students', that is the case now-)
She doesn't like any type of racism, colonialism or xenophobia in XXI st
century. Likes multiculturalism, and also world peace, climate change,
solar panels for help people in extreme poverty, Ballet, Robotics -from 2005- (she
has Diplomas & Certificates of both, with professors Masters of Ballet
alumni of Prima ballerina Assoluta Alicia Alonso, Fernando Alonso,
Maya Plisetskaya, the Juilliard School of NYC, the Royal Ballet of
London,etc.), and Quantum mechanics to poor children of the third world.


She is a very healthy person. (Likes quinoa, kiwicha, fresh fish, Purple
corn, olluco, sweet potatoes, water, green lemon,maracuja, chirimoya, Peruvian ceviche, cacao from La Convencion Valley, yuyo(algae), black olives from the South of Peru, fresh fruits and
vegetables. She is allergic to sausages, rice, pasta, etc, She likes of course Peruvian Coastal Spanish, Quechua, Aymara languages, Jaqaru, Kawki, Quingnam, (originary languages of
Lima), Puquina, the Peruvian Sign Language (LSP, Lima
dialect) , etc, etc., because she was also Linguistics and
Literature specialties (includes with Master classes of Mario Vargas Llosa,
Nobel Prize in Literature: Theory, prose, analysis, essays, and Workshop of
Literary Creation only for Linguistics and Literature students of Speciality,
with Certificate). She also likes Ancient Greek and Archaic Greek dialects (Aeolian) as Sappho of Mytilene, in Lesbos, with her epigrams. (Lesbos island has a very old tradition, wealth and fineness of its inhabitants maintained until now). She also likes the Japanese of the Tokugawa - Edo Era and the Sanskrit of the Classic Age, in the East, although she has only generalist notions of that at academic level. She likes also Swahili language.


She had the privilege of having good and sophisticated friends and colleagues from Seoul (now in Chicago), from Riga (and in London), and why not, some others from Casablanca (and in Minneapolis and London), and Singapore City, they are very refined people. (Sophisticated, refined = Modest, humble, straightforward).

She also had the privilege of knowing and appreciates the finesse and sophistication of some good colleagues of Turkish origins, Ankara (and in NYC, Washington DC and Tokyo) and some other from Beirut, Lebanon (and in the USA), as well some other from Dakar, Senegal; and yes, some others very nice too from Kabul, Afghanistan and from Mogadishu, Somalia (and in London), and from Italy and Berlin.

She does not likes phlegmatic people, but she respects them and finds the best in them.

She doesn't likes any type of Artistic SPOLIATION, Works of Art SPOLIATION, Cultural Spoliation, Scientific SPOLIATION, Intellectual SPOLIATION, CONFISCATION, or Scientific Racism, (for which she demanded the immediate RESTITUTION of all that), nor FORCED inmigration, or Romantic Colonialism. As many others she does not consider life as a trade or a joke, she does not like rapes, double rapes, kidnapping, attempted voluntary homicide (twice), brutal beatings, human trafficking, or ethnic cleansing, -scilicet, crimes against humanity-. All that is, sadly, her own personal experience in France, with all impunity, with all tranquility, with all serenity and with prize included, because, among others, she did not want to inmigrate and/or get married, (nor reproduced her, not to marry, not to have children, that is to say, she had no interest in developing 'affective' links in France, she only had magnificent and endearing good international, multicultural and multilingual foreign colleagues of the five continents, aerial and light girls and boys, that is, normal and healthy people, during her works and her investigations), despite the suggestions, efforts, and advices of some of her 'colleagues', acquaintances, and some of her teachers, she NEVER HAD an inmigration project (because she considers that it is a free and own decision, like that any other human being because she had this type of education from child, so she prefers to keep her high degree of 'non-evolutionary' Third World underdevelopment).

She works all time with Ethics and deontology, and with a very 'fair-play' approach. (She does not consider living in the 12th century or in the pre-modern era so that she is confiscated (spoliation), etc, etc, that is why she trusts that, as in her demand since 2014, everything confiscated her (spoliation) will be IMMEDIATELY returned -restitution- to her, and without conditions, in the original state just as it was confiscated -spoliation-, one by one and complete.).

She never intended to immigrate, but of course she is in favor of immigration because like any country in South America, Peru is also a country of immigrants.
Of course she likes also and she is very proud of the Peruvian diversity from the Coast, the Mountains and the Peruvian Amazon, of all type of Mestizo and Mixed origins and races, as diverse languages, dialects, and persons of different sexual orientations, religions, beliefs or no religions, or ideologies, different habits, tastes, and different societal sectors. In short: Normal and fine people: 1.1 ''Of the Human Person'', not a sub-human or infra-human.

She does not consider herself a 'beast of burden', etc, etc., as she was told directly several times in France. On the contrary, the perception about herself was always different, so she took those 'opinions' as who comes, minimizing that kind of 'opinions' of highly educated and decorated people, so as not to clash or hurt subtleties or ways of understanding the world, because she considered those 'opinions' not too bright, a little out of focus, and little thought as well as blinded and of low quality. In that sense, she can feel privileged because she had another type of education and another type of reflection, something more complex, analytical and creative in Lima, despite her very modest and humble education in Lima, so she did not worry too much about those 'bright' 'opinions', since she respects all opinions come from where they come and concludes the most valuable of those, from an open and proactive perspective.
 
She considers and regrets, in her very humble opinion, that 'colonialism' and all that this implies very concretely even today, is not even considered a crime, and is not even considered a crime, as it should be very clearly , because she does not consider to be living until now in the XVI century and less to understand the world in that way (as a 'way of life', 'of reflection' and 'of action') . Regrettably she never had an education of that kind in any term and she does not understand that way of thinking and conception of the world, as well as that way of acting, because she is not an historian of the West and she regrets not having had a type of colonialized education , because she was not born in the XVI century, happily.
(Her education in Lima has not been so romantic, happily, at any level to consider 'colonialism' as a 'way of life,  of action, or of understanding of the contemporary world'.)

She does not consider living in the XII century, in the pre-modern era or in the colony, to pay with her life for any Diploma, Degree, Postgraduate, Certificate, Note or similar, French or European, that can "stylize" her, according to some opinions, so she prefers to return them and not validate them, or give them to whoever is "more dignified and more 'intelligent'", because she in her modest and humble opinion she considers herself a Human Person and moderately intelligent, so she does not consider moral to be charged to her with her life for these 'diplomas', 'degrees', 'post-grades', 'certificates', 'notes' or similar, this lifestyle, the colonial one, is not the right lifestyle for her and she does not guarantee this way of life, therefore she expects that they respect her way of conceiving the non-colonialist world, however, she also respects those who consider the colonialist way of life correct and she salutes the fact that they are so practical. It is so that she is simply waiting until now, in a very concrete way, simply to return to her immediately - complete restitution - one by one and in a complete manner everything that has stolen her (spoliation, confiscation) in 2014 (covering everything from 2007 until mid 2013). She has no other interest than that, nor any rancor or similar, (oh! 'revenge' or 'jealous', terms that her 'intelligent' French colleagues use, and that she does not understand, since they are not comprehensible linguistic categories for her, due to the context and their different education surely, she not has that type of education, she understands much better with her other more globalized colleagues from other parts of the world a little 'less intelligent'), because they have already ruined her life, and life can not be returned or repaired under any point of view. Then she expects the RESTITUTION of all her work, investigations, works of art, originals, etc, etc, one by one and completely immediately, without conditions.

She was very happy with her academic course ''Culture of Peace'' and of course, also with her Academic courses of 'Artistic Anatomy' with a MD professor who is a medical doctor in a state and private hospital, besides being a professor. (MD, Medical Doctor and Professor of Medicine).

She had the privilege and she is grateful that a Great Master of Art as Julia Navarrete Stagnaro, (Painting) -Museum of Modern Art of Latin America in Washington DC, Biennial of Sao Paulo Brazil, Biennial of Cuenca, University of Essex UK-, whom she admires, and of whom she has a wonderful memory, had offered her, from one moment to another, a huge atelier of painting and drawing , with a magnificent natural light -the four biggest of the faculty together-, at any time, at any time and any day, all the time that is needed, when needed, without any condition: Natalia Miranda is very grateful for that deference and that humble and spontaneous, of great naturalness, of Dona Julia Navarrete, in spite of her having been of another specialty of art, and without ever having asked for it, deference, humility, sophistication and spontaneity for which Natalia Miranda felt very honored.

(In spite of the ''low educational level and low artistic quality'' and -''art / copy, representative of the third world, or Peru''- about the education and artistic quality of the Great Master of Art Julia Navarrete Stagnaro, those opinions of course from the European point of view, as they make her know in some cities of Europe, schools, etc, etc, extolling these differences and representativeness).

Artist Natalia Miranda conducted, executed and self-financed her investigations in different cities in Europe during her short self-financed trips of one or two days. (Crete, Athens, Oslo, Berlin, Amsterdam, Lisbon, Zurich, Stockholm, Monaco, etc., the most of the times by bus at night and sleeping at the bus or train station, since that is more cheaper.).

She considers that she has no particular talent, simply her simple work logic, as opposed to some existentialist logic about 'muses' or 'inspirations'. The only 'muse' or 'artistic inspiration' that she knows and uses as a methodology is work, because sadly, that is the only methodology that she knowns, however she is open to any other kind of varied methodologies and points of view from any part of the world or any kind of philosophy, and so she respects them.

For that and other reasons, she does not like unhealthy people like alcoholics, drug users, smokers, unhealthy people who do not know how to love their body and mind, and less to 'the others', and only want to' stylize 'with their' careers' in the third world, and in that way ' globalize ',' stylize 'and' open your mind '(because they have it closed), and whose only goal is to improve their CV or to reproduce themselves to improve their biology, to become' goodies voluntarily ',' prettier ',' very educated '(error),' solidarious', very 'diverse' and 'first world people' who 'teach' the 'brutes' and' indigenous' of the third world, saying it and without saying it. In her very modest and humble opinion, she is not interested in globalizing, exporting or exchanging people so unsophisticated and conformist, not ambitious, that is, vulgar, with a 'first world' mentality of colonial and closed education that go to the 'third world' 'only to improve their CV, and that they' teach 'the poor people or children in their country, and do not see them as their equal or worthy. Better if they are only tourists, visit, stroll, discover and surpass themselves through tourism in the third world. However, she does welcome to be teacher, healthy and educated person, that is, sophisticated and dignified human being, who loves herself who loves the other as herself, with a very free thought, an open mind, respectful and critical, everyone, with which it can build and from which it can really learn to improve, not to make propaganda, or be perceived or treated as inferior, stupid or human 'pets' of fun.

(She is in favor of chemical castration for rapists and criminals, as also to their accomplices, and no type of re-education for all of them, for that, she does not like populists, politicians, pseudo-intellectuals, pseudo-scientists, pseudo-knowledges, or some arrogant or ignorant opinions, but she respect them, because she had an education with a gender orientation since she was a girl, she also had a non-colonialist education since she was a girl, happily.)

She does not like badly raised or conceited people.

She is very bad with digital techniques, video techniques, algorithmic techniques, design techniques, or graphic techniques, because that are not her background or interests.

She is not interested in 'geek' people or similar, but she respects quite their technical habilities, their effort creativity for factories, their effort innovative work for governments and their workforce, maybe because she is very ignorant and very traditional face to that background, and she not has that habilities, she is, sadly, a more free spirit and she has a little bit more complex and humble mind.

(At amateur / domestic level she has practiced 'spinning' (in gym group, not in competition) three times by week in the morning and at night (from 6:30 to 7:15 AM in the morning and from 10 to 11 PM in the evening), only 45 intensive minutes each time, otherwise it is dangerous due to the risk of cardiac arrest according to the advice of her group coach), just after her courses and ateliers of sculpture, and repetitions of ballet and dance in other places.)

She likes relaxing and aerial music, focusing mind, body, senses and mouvement. She loves her family and her pets, as also her friends.


https://www.brooklynmuseum.org/opencollection/tags/Inca


BFA Architectural Design Sculpture of Urban Space 2008 (Research
Degree and Professional Title in Speciality, 'Summa Cum Laude' Merit /16.5 Record/Excellent, All time with Excellence) at
Pontificia Universidad Catolica del Peru, Faculty of Art and Design, winning from
it a prestigious Art Award to a French Art School, for her Robotic
Installation 'Labyrinth City' with recycled elements that count the daily
journey of a child recycler, Johan, in the streets of Lima -with his father with
testimony of the child himself, and to educate the child about the
danger of his work --That Work of Art, the Sculptural Robotic Installation
occupied 20 square m2 more plus a corridor created for it. Recycled elements
from children was classifieds by colours and materials at very different
scales, sizes (from 0.25 cm to 1 cm and after to 1,30 m, most of all
with all in different colours, creating different labyrinthine urban
children's landscapes in a child universe of recycled micro toys
micro mini micro mini hanging clothes and mini colored strings, of 0.5 cm, and constructed at
different scales (from 0.25 cm to 3.5 m height) at the same time, of different
colours, multicolored, with testimony of the recycler child, describing his
work, Sculptural installation visually with multiple bright colours and micro
zones, lights that rotate by zones, movements, with a height of 3.50
m., the most of all in plastic, but also in cloth, iron steel and wood, as
different types of cloves, pins, screws, vices, glues, etc. in different
multicoloured microzones at mini scales built very finely on the
ground, inthe air, on the walls, as micro landscapes of other different visual
landscapes, rotating, at multiple scales of several different 360 °
degrees and a lot of multicoloured material, which they looked at and
understood different perspectives simultaneously, in different hierarchies,
displacing vision and testimony to different places and scales simultaneously. -

(A little bit as in the Sarah Sze artworks but different and in other perspectives in the opinion of Veronica Crousse and Arch. Maria Burela Pando, and in many ways of the 'real wonderful' and the tradition of creating 'new worlds' at different mini scales around as in the Latin American boom.).

For that Work of Art, this Sculptural Robotic Installation, (Result: First place winner), Natalia Miranda had the privilege to be invited to another Public Exhibition at the end of that year.

(... and including toy ropes for jumping for children on very colored fluorescent transparent plastic, which is cut the handles and inserted inside (tubular and moldable) smooth galvanized steel wire # 18 rounded, thus toy ropes for jumping for children of plastic transparent colors are given all the desired shapes and maintain their malleability, better rigidity and multicolored transparent fluorescent, The tubes of pvc will be light gray, round, narrow, elongated, in multiple directions with little cones cut for their mini assembly in each change of direction (about eighty changes of direction at very different multiple scales from different perspectives, rounds, spirals, from the walls,etc). All this included the whole area and the height, as well as in the walls, 10 kilograms of ultra micro-mini balls of multiple fluorescent colors of plastic of 1 millimeter of thickness. They were located on the concrete floor in different areas and on mini mounds, forming around fifty micro-infantile urban landscapes of multiple colors, and filling the walls with them. From there they are thrown and also spread to the whole area in different heights (from 1 cm to three meters) and in different multiples three hundred different directions mini threads of multiple colors where they were placed micro clothes of multiple colors hung in different directions as also in 360° C , as on the roofs of Lima outdoors. They support themselves in their own equilibrium, searching its equilibrium points, and equilibrium superposition of each individual micro-mini element, as well as multiple serpentine and round entrances in the air of multicolored lines, with micro-mini elements that light up and move alone, nothing in block, because its particular characteristic is each micro-mini individual element being micro-mini-equilibrists each, forming different zones and micro-urban infantile landscapes, thus keeping their own characteristic, their individuality and their own personality and in the whole from the minimum detail and personality at 1 millimeter of scale and size at each height, up to 3 meters on the walls, rotating around. Their individuality at micro-mini scale in all the whole as well as their physical points and states of equilibrium on this atmosphere, then placed one by one, around a thousand micro-mini elements of multiple colors, point by point and on the air, in multiple directions, from 1 millimeter up to three meters high and on the walls. Round and yellow lighting spots...). (Original images of this awarded work of art: Confiscated-Spoliated).

Jury and shown: Johanna Hamann -Brooklyn Museum of Art NYC-, Veronica Crousse, Sonia Prager -Central Saint Martins School of Art London- (Sculpture), Arch. Maria Burela Pando; Julia Navarrete Stagnaro -Museum of Modern Art of Latin America Washington DC, Biennial of Sao Paulo Brazil, Biennial of Cuenca, University of Essex UK-, Susana Rossello -Scuela delle Belle Arti di Roma, Italy-, Alejandro Alayza Mujica -Palazzo Strozzi in Florence Italy, International Monetary Foundation USA, Pratt Institute NYC, Exhibition in La Habana Cuba- (Painting), Jorge Ara, Miguel Mendoza -Biennials in England, Hungary, Japan, Universities of Madrid and Barcelona (Engraving), Students: Carlos Risco Huaraca, Luis Javier (Sculpture), Claudia Martinez Garay (Engraving), Lucia Monge, Soledad Geronimo (Painting), etc.

Letter of Recommendation of Excellence at all levels: Alejandro Alayza Mujica (Painting/Dean).

-Thanks for the help and support of the artist Yury
Garcia Medina (Holographic art in 2002) during that research-.(On the other hand, Artist Vannia
Natalia Miranda Y. has also won the Art Contest at the Pontifical
Catholic University of Peru, with Jury from f.e the prestigious Central
Saint-Martin's School of Art of London, for her Photography 'Marinera
Dance', which was published as the Front Page, and August Month, of
the University Official Calendar of 2003, and that was at the same time
the Official Calendar of the National Parliament of Peru that year, under
the Presidency of Professor Dr. Henry Pease Garcia,-one of the moral
consciences of Peru-, that Official Calendar remains until now at the
Official Library of the National Parliament of Peru) // MFA Art Design (II)
2008 Ecole Superieure des Beaux Arts of Nantes, France (Research
and Professional Title,(Thanks to the magnificent
conversations,exchanges of visions, concepts and definitions from the
process until the end of my Work of Art, to Peruvian Architect Maria
Luisa Durand, BArch, Specialized in Architecture and Urbanism, of
Universidad Ricardo Palma,-Lima,Peru- living in Nantes,France) // MA
Arts and Sciences of Art (II) 2009, University of Paris I Sorbonne,
France, (Research Degree and Professional Title).

She is not interested and does not like to 'empower', globalize or award: rapists, criminals, delinquents, racists, colonialists, terrorists, xenophobes, unhealthies, or biologists conceptors of the population (to make: more or less 'diverses', more or less 'mixed', more or less 'indigenous', more or less 'blacks', more or less 'orientals', or more or less 'whites'), etc, etc, or similar. On the opposite, she prefers healthy people.
 
Please, receive all my apologies for the Works of Art that I now show you with Goodwill in my very modest portfolio, because it is the only thing that I have been able to recover after my Spoliation and Confiscation. I hope you do not feel offended by my very modest portfolio of artist, if that is the case, I offer my very sincere apologies and I suggest you move forward.
I thank you infinitely for your understanding.
Ditto, please receive my greetings of Goodwill and Welcome towards you, especially during these times in which Syrian children are suffering so much in these horrible and devastating wars.
With pleasure,
Have a very good, happy and healthy day.
Yours sincerely.

 Nota bene:

She was also very happy of working with the children of Arco Iris Home ('Rainbow Home', of the National Institute of Family Welfare), with the creation, design, development and execution of her Free workshop of creative expression, leaving the door open to all children who would like to freely enter inside, teaching them among others, dance, movement, respiration, music, building houses of children, painting, drawing, sculpture with clay, etc, and exposing their works toward the end of the workshop, teaching them a little to be free and autonomous in their thinking, movement and artistic expression, being she always very loved by her little students.

In the "Arco Iris Home'' (''Rainbow Home'' of the National Institute of Family Welfare, -and Pucp- in Lima), where she was working with children from all over the country (from the Coast, the Mountains, and the Peruvian Amazon): little boys and little girls, orphaned children, displaced children by terrorism, deaf and dumb children, children with cleft lip, children with dyslexia, children of poor single mothers, a child with minor burns, and at least one boy child raped, etc, but always optimistic and very intelligent children, (not delinquents), -they was around 18 children-, for that reason and in general for her method of work, she did not like that her little students did the cleaning of the large dining room at the end of her working day of her free workshop of creative expression classes used to executing her workshop (bright, round, with natural light and sunny, spacious, airy, naturally bright, open to the large central courtyard, nice large room very adequated), as was the suggestion and tradition there, because she did not consider her little students her domestic servants or sweepers, at least in her modest Free workshop of creative expression, where doors, windows, were opened and went without shoes, besides working also laid, extended on the floor, focusing mind, body, senses and mouvement. (Projecting, visualizing, understanding and solving and then, creating).
 
This type of workshop opened their mind to my little students, and an open, autonomous and healthy mind goes with a healthy body and mind, even though they have been victims of terrorism or some of them have had some kind of disability and / or trauma, in addition to be poor. They were intelligent children and they could be from afar even more, for that reason with critical and autonomous thinking, in a critical and autonomous body, instead of becoming 'production machines' already classified in advance as if they were 'second class', and even more, so that in the future they would not fall into any kind of 'stupid' ideology, just because they had some time of trauma or 'poor'. That is to say, that traditional and reactionary point of view did not interest me and my workshop went against the 'reproduction of ideological or criminal stupidity' in the future. That's why it was important, and I think that my little students knew how to value it and I am proud of that, because I feel and I believe that I have contributed very concretely to improve mental, physical, corporal and artistic quality in a free way, autonomous and creative, children and girls excluded by situations beyond them, such as terrorism and poverty, and never reproduce that, and, of course, and above all, that they never lower their head in face of any racist, terrorist, fascist, colonizer, xenophobe, ignorant, delinquent, criminal, unmoral, macho, ultra-conservative or extremist, alcoholic, drug addict, violent or rude, come from where they come, for a lot or little money, 'knowledge, education' or 'awards' that have those, etc, if not quite the opposite, and so my little students know how to assume beings human beings of free and autonomous thought, critical, and of free and autonomous body, critical, (and that they love their body and their mind, they are healthy) also, in any stage of their life and in any type of society.

For these reasons, they are ambitious and non-conformist, because they love their body and their mind, and they do not destroy or relativize, rather they build and love themselves, they assume their own responsibility for themselves and for the others, and above all this is their human dignity: 1.1 ''Of the Human Person'', and love the other as yourself, not as an inferior or sub-human, that is their excellence and their sophistication, their high human dignity.
 
Post-Scriptum:
 
Likewise, Natalia Miranda does not like that they use her father, as if he  were a 'slave of the colonial era' or a 'third world circus clown', Natalia Miranda pays homage to him, because her father is a very correct man , very enlightened, discreet and humble, with a very clear mind, always very open, whom she admires, and she follows his example of life, a man who always confronted by exposing his  life directly for several years face  to terrorists armed with submachine guns and  hooded  who irrupted into   the  own, modest and humble classroom  of my father , several times, each time  when  he dictated his classes, without flaunting it, incidents that were almost his daily routine as professor  of  the university in Lima, defending with  his life and  his ideas his students face to face against murderous fanatics decerebrate decadent destroyers.  Her  father, a humble and modest university professor  is, until now, included in  the 'blacklist' of terrorists, because  he  always confront them directly, until now, lowering  them the machine guns to the terrorists when they irrupted into  his  humble classroom and giving them the option to debate and confront their ideas in the classroom if they left their submachine guns in the corridor, or   they left  his   classroom . Other professors from other faculties  cede  to the 'demands' of the terrorists for  ' x ' reasons,  ceding  them their classroom and class time, so that the terrorists could   impart  their own 'indoctrination courses and brainwashing lessons'. Her humble father was always and is up to now to  the service of his students even with his life, without flaunting it, he does not need to be 'sophisticated' in the 'first world', he is sophisticated by himself, and nobody  protects  or help him.  Natalia Miranda pays homage to her father, because he is one of those rare and exotic human beings in the world, that is, humble and sophisticated people who think and act. That is why she also requests that someone take care of her father and her family in Lima, and that they do no more harm to their family with something similar or worse than what they did to their daughter Natalia in France, when destroyed her life , because she considers that that is more than enough, although many consider the opposite. That is why Natalia Miranda  demands, with goodwill,   the   IMMEDIATE RESTITUTION, without conditions,  of   everything that was CONFISCATED her in France, because  her life  can not be repaired, and do not destroy more her family in Lima.
 

Natalia Miranda Yupanqui is a Contemporary Artist,Architectural Sculptor specialist in Urban Space and Public Art,born in Lima,Peru.As Professional Artist,as also at Academic level and Research,she had as direct mentor,principal and more closest tutor,research director and Professor,the Great Master Johanna Hamann,during all her BFA in Sculpture specialty at the Faculty of Art and Design,at Pontificia Universidad Catolica del Peru,-Deserving all time with Excellence and distinction at all levels(''Summa Cum Laude'',Record:16.5,-All jury,Johanna Hamann,Sonia Prager (Central Saint Martin's School of Art in London),Veronica Crousse,including Architect and Critic,Professor Arch.Maria Burela)-About Great Master,Johanna Hamann,she is one of the most important Contemporary Artists from Latin America and the Americas,and a mandatory reference of Architecture and Urbanism in Peru.(Please see her exhibition in the Brooklyn Museum of Art in NYC and the Hammer Museum in Los Angeles,''Radical Women'')-http://untitled-magazine.com/radical-women-latinamericanart-1960-1985-at-thebrooklyn-museum/ https://artandcakela.com/2017/11/19/radical-women-latin-american-art-1960-1985.

On the other hand Natalia Miranda Yupanqui is also Classical Ballet Dancer at Professional and Academic level (she started at eight yearsold),as also Choreographer and Artistic Director.Natalia Miranda had the privilege to be speaker at the CVR the Truth and Reconciliation Commission,the National Commission about the Civil war against terrorism in Peru,and crimes against humanity,she known the signification of war crimes including rape against women in different contexts,including civil war,colonialism,etc.

As Contemporary Artist,at Professional and Academic level,as also Research,Natalia develops proposals generated by constructions of imaginary cities from a poetical point of view,crossing notions of time,place and space from different perspectives on creation processes from different centers at different scales,spatial,temporal and thematic levels,displacing visions and perspectives in complex societies of a post-historical and post-geological era. ––
– Ditto, Natalia Miranda had the privilege that one of her artworks
''Favela, A Promised land: A universal short story. About a contemporary
post-historical and post-cultural point of view'', was very well
appreciated and well received by Alejandro Aravena, Pritzker Prize
2016 and Artistic Director and Curator of the last Biennale di Venezia in
Architecture 2016.
(In that edition of the Biennale di Venezia, Peru has the privilege to win,
with my University and former Faculty Professors, the third place as
best National Representation).
 Natalia Miranda likes particularly the work of Alejandro Aravena, the
American artist Phoebe Washburn, Johanna Hamann, as also Zaha
Hadid, Helio Oiticica, Ai-Wei Wei, Vera Molnar (Budapest, Hungary), etc.

Natalia Miranda has extended experience in research,
designing, creating, directing,developing, executing and implementing
projects of development, and art.
 (Natalia Miranda was selected for different Art Residencies at
Professional and Graduate level with colleagues of four continents, she
has exhibited at Los Angeles Center for Digital Art in L.A, she was also
invited for the owner of  a Gallery for a personal solo exhibition in his
Art Gallery of Paris/NYC, -and also with his Letter of Recommendation-,

 then one year later invited for the Director and Curator to an Art exhibition
'Between Art &Science' in an Art Gallery in Paris, and later she was also
Research resident at the Franco-British Residence and Artist-in-
Residence for International Professional Artists in Paris at the Cité
Internationale Universitaire de Paris, Cité Culture-Théâtre de la Cité.

-Not as 'Amateur' or 'Students', like is the case now)
She doesn't like any type of racism, colonialism or xenophobia in XXI st
century. Likes multiculturalism, and also world peace, climate change,
solar panels for help people in extreme poverty, Ballet, Robotics -from 2005- (she
has Diplomas & Certificates of both, with professors Masters of Ballet
alumni of Prima ballerina Assoluta Alicia Alonso, Fernando Alonso,
Maya Plisetskaya, the Juilliard School of NYC, the Royal Ballet of
London,etc.), and Quantum mechanics to poor children of the third world.
She is a very healthy person (Likes quinoa, kiwicha, fresh fish, Purple
corn, olluco, sweet potatoes, water, green lemon,maracuja, chirimoya, Peruvian ceviche, cacao from La Convencion Valley, yuyo(algae), black olives from the South of Peru, fresh fruits  and
vegetables. She is allergic to sausages, rice, pasta, etc.  She likes of course Peruvian Coastal Spanish, Quechua, Aymara languages, Jaqaru, Kawki, Quingnam, (originary languages of
Lima), Puquina, the Peruvian Sign Language (LSP, Lima
dialect) , etc, etc, because she was also Linguistics and
Literature specialties (includes with Master classes of Mario Vargas Llosa,
Nobel Prize in Literature: Theory, prose, analysis, essays, and Workshop of
Literary Creation only for Linguistics and Literature students of Speciality,
with Certificate). She also likes Ancient Greek and Archaic Greek dialects (Aeolian) as Sappho of Mytilene, in Lesbos, with her epigrams. (Lesbos island has a very old tradition, wealth and fineness of its inhabitant maintained until now). She also likes the Japanese of the Tokugawa-Edo Era and the Sanskrit of the Classic Age, in the East,  although she has only generalist notions of that at academic level. She likes also Swahili language.


She had the privilege of having good and sophisticated friends and colleagues from Seoul (now in Chicago), from Riga (and in London), and why not, some others from Casablanca (and in Minneapolis and London), and Singapore City, they are very refined people.(Sophisticated, refined = Modest, humble, straightforward).

She also had the privilege of knowing and appreciates the finesse and sophistication of some good colleagues of Turkish origins, Ankara (and in NYC, Washington DC and Tokyo) and some other from Beirut, Lebanon (and in the USA), as well some other from Dakar, Senegal; and yes, some others very nice too from Kabul, Afghanistan and from Mogadishu, Somalia (and in London), and from Italy and Berlin.

She does not likes phlegmatic people, but she respects them and finds the best in them.

She doesn't likes any type of Artistic SPOLIATION, Works of Art SPOLIATION, Cultural SPOLIATION, Scientific SPOLIATION, Intellectual SPOLIATION, CONFISCATION, or Scientific Racism, (for which she demanded the immediate RESTITUTION of all that), nor FORCED inmigration, or Romantic Colonialism. As many others she does not consider life as a trade or a joke, she does not like rapes, double rapes,  kidnapping, attempted voluntary homicide (twice), brutal beatings, human trafficking, or ethnic cleansing, -scilicet, crimes against humanity-. All that is, sadly, her own personal experience in France, with all impunity, with all tranquility, with all serenity and with prize included, because, among others, she did not want to inmigrate and/or get married, (nor reproduced her, not to marry, not to have children, that is to say, she had no interest in developing 'affective' links in France, she only had magnificent and endearing good international, multicultural and multilingual foreign colleagues of the five continents, aerial and light girls and boys, that is, normal and healthy people, during her works, and her investigations), despite the suggestions, efforts, and advices of some of her 'colleagues', acquaintances, and some of her teachers, she NEVER HAD an inmigration project (because she considers that it is a free and own decision, like that any other human being because she had this type of education from child, so she prefers to keep her high degree of 'non-evolutionary' Third World underdevelopment).

She works all time with Ethics and deontology, and with a very 'fair-play' approach.(She does not consider living in the 12th century or in the pre-modern era so that she is confiscated (spoliation), etc, etc, that is why she trusts that, ad in her demand since 2014, everything confiscated her (spoliation) will be IMMEDIATELY returned -restitution- to her, and without conditions, in the original state just as it was confiscated -spoliation-, one by one and complete.).

She never intended to immigrate, but of course she is in favor of immigration because like any country in South America, Peru is also a country of immigrants.
Of course she likes also and she is very proud of the Peruvian diversity from the Coast, the Mountains and the Peruvian Amazon, of all type of Mestizo and Mixed origins and races, as diverse languages, dialects, and persons of different sexual orientations, religions, beliefs or no religions, or ideologies, different habits, tastes, and different societal sectors. In short: Normal and fine people: 1.1 ''Of the Human Person'', not a sub-human or infra-human.

She does not consider herself a 'beast of burden', etc, etc., as she was told directly several times in France. On the contrary, the perception about herself was always different, so she took those 'opinions' as who comes, minimizing that kind of 'opinions' of highly educated and decorated people, so as not to clash or hurt subtleties or ways of understanding the world, because she considered those 'opinions' not too bright, a little out of focus, and little thought as well as blinded and of low quality. In that sense, she can feel privileged because she had another type of education and another type of reflection, something more complex, analytical and creative in Lima, despite her very modest and humble education in Lima, so she did not worry too much about those 'bright' 'opinions', since she respects all opinions come from where they come and concludes the most valuable of those, from an open and proactive perspective.

She considers and regrets, in her very humble opinion, that 'colonialism' and all that this implies very concretely even today, is not even considered a crime, and is not even considered a crime, as it should be very clearly , because she does not consider to be living until now in the XVI century and less to understand the world in that way (as a 'way of life', 'of reflection' and 'of action'). Regrettably she never had an education of that kind in any term and she does not understand that way of thinking and conception of the world, as well as that way of acting, because she is not a historian of the West and she regrets not having had a type of colonialized education , because she was not born in the XVI century, happily.
(Her education in Lima has not been so romantic, happily, at any level to consider 'colonialism' as a 'way of life, of action, or of understanding of the contemporary world'.)

She does not consider living in the XII century, in the pre-modern era or in the colony, to pay with her life for any Diploma, Degree, Postgraduate, Certificate, Note or similar, French or European, that can "stylize" her, according to some opinions, so she prefers to return them and not validate them, or give them to whoever is "more dignified and more 'intelligent'", because she in her modest and humble opinion she considers herself a Human Person and moderately intelligent, so she does not consider moral to be charged to her with her life for these 'diplomas', 'degrees', 'post-grades', 'certificates', 'notes' or similar, this lifestyle, the colonial one, is not the right lifestyle for her and she does not guarantee this way of life, therefore she expects that they respect her way of conceiving the non-colonialist world, however, she also respects those who consider the colonialist way of life correct and she salutes the fact that they are so practical. It is so that she is simply waiting until now, in a very concrete way, simply to return to her immediately - complete restitution - one by one and in a complete manner everything that has stolen her (spoliation, confiscation) in 2014 (covering everything from 2007 until mid 2013). She has no other interest than that, nor any rancor or similar, (oh! 'revenge' or 'jealous', terms that her 'intelligent' French colleagues use, and that she does not understand, since they are not comprehensible linguistic categories for her, due to the context and their different education surely, she not has that type of education, she understands much better with her other more globalized colleagues from other parts of the world a little 'less intelligent'), because they have already ruined her life, and life can not be returned or repaired under any point of view. Then she expects the RESTITUTION of all her work, investigations, works of art, originals, etc, etc, one by one and completely immediately, without conditions.
 

She was very happy with her academic course ''Culture of Peace'' and of course, also with her Academic courses of 'Artistic Anatomy' with a MD professor who is a medical doctor in a state and private hospital, besides being a professor. (MD, Medical Doctor and Professor of Medicine).

She had the privilege and she is grateful that a Great Master of Art as Julia Navarrete Stagnaro, (Painting) -Museum of Modern Art of Latin America in Washington DC, Biennial of Sao Paulo Brazil, Biennial of Cuenca, University of Essex UK-, whom she admires, and of whom she has a wonderful memory, had offered her, from one moment to another, a huge atelier of painting and drawing , with a magnificent natural light -the four biggest of the faculty together-, at any time, at any time and any day, all the time that is needed, when needed, without any condition: Natalia Miranda is very grateful for that deference and that humble and spontaneous, of great naturalness, of Dona Julia Navarrete, in spite of her having been of another specialty of art, and without ever having asked for it, deference, humility, sophistication and spontaneity for which Natalia Miranda felt very honored.

(In spite of the ''low educational level and low artistic quality'' and -''art / copy, representative of the third world, or Peru''- about the education and artistic quality of the Great Master Julia Navarrete Stagnaro, those opinions of course from the European point of view, as they make her know in some cities of Europe, schools, etc, etc, extolling these differences and representativeness).

Artist Natalia Miranda conducted, executed and self-financed her investigations in different cities in Europe during her short self-financed trips of one or two days. (Crete, Athens, Oslo, Berlin, Amsterdam, Lisbon, Zurich, Stockholm, Monaco, etc., the most of the times by bus at night and sleeping at the bus or train station, since that is more cheaper.).

She considers that she has no particular talent, simply her simple work logic, as opposed to some existentialist logic about 'muses' or 'inspirations'. The only 'muse' or 'artistic inspiration' that she knows and uses as a methodology is work, because sadly, that is the only methodology that she knowns, however she is open to any other kind of varied methodologies and points of view from any part of the world or any kind of philosophy, and so she respects them.

For that and other reasons, she does not like unhealthy people like alcoholics, drug users, smokers, unhealthy people who do not know how to love their body and mind, and less to 'the others', and only want to' stylize 'with their' careers' in the third world, and in that way ' globalize ',' stylize 'and' open your mind '(because they have it closed), and whose only goal is to improve their CV or to reproduce themselves to improve their biology, to become' goodies voluntarily ',' prettier ',' very educated '(error),' solidarious', very 'diverse' and 'first world people' who 'teach' the 'brutes' and' indigenous' of the third world, saying it and without saying it. In her very modest and humble opinion, she is not interested in globalizing, exporting or exchanging people so unsophisticated and conformist, not ambitious, that is, vulgar, with a 'first world' mentality of colonial and closed education that go to the 'third world' 'only to improve their CV, and that they' teach 'the poor people or children in their country, and do not see them as their equal or worthy. Better if they are only tourists, visit, stroll, discover and surpass themselves through tourism in the third world. However, she does welcome to be teacher, healthy and educated person, that is, sophisticated and dignified human being, who loves herself who loves the other as herself, with a very free thought, an open mind, respectful and critical, everyone, with which it can build and from which it can really learn to improve, not to make propaganda, or be perceived or treated as inferior, stupid or human 'pets' of fun.

(She is in favor of chemical castration for rapists and criminals, as also to their accomplices, and no type of re-education for all of them, for that, she does not like populists, politicians, pseudo-intellectuals, pseudo-scientists, pseudo-knowledges, or some arrogant or ignorant opinions, but she respect them, because she had an education with a gender orientation since she was a girl, she also had a non-colonialist education since she was a girl, happily.)

She does not like badly raised or conceited people.

She is very bad with digital techniques, video techniques, algorithmic techniques, design techniques or graphic techniques, because that are not her background or interests.

She is not interested in 'geek' people or similar, but she respects quite their technical habilities, their effort creativity for factories, their effort innovative work for governments and their workforce, maybe because she is very ignorant and very traditional face to that background, and she not has that habilities, she is, sadly, a more free spirit and she has a little bit more complex and humble mind.

(At amateur / domestic level she has practiced 'spinning' (in gym group, not in competition) three times by week in the morning and at night (from 6:30 to 7:15 AM in the morning and from 10 to 11 PM in the evening), only 45 intensive minutes each time, otherwise it is dangerous due to the risk of cardiac arrest according to the advice of her group coach), just after her courses and ateliers of sculpture, or repetitions of ballet and dance in other places.)

She likes relaxing and aerial music, focusing mind, body, senses and mouvement. She loves her family and her pets, as also her friends.

https://www.brooklynmuseum.org/opencollection/tags/Inca


BFA Architectural Design Sculpture of Urban Space 2008 (Researh
Degree and Professional Title in Speciality, 'Summa Cum Laude' Merit /16.5 Record/Excellent, All time with Excellence) at
Pontificia Universidad Catolica del Peru, Faculty of Art and Design, winning from
it a prestigious Art Award to a French Art School, for her Robotic
Installation 'Labyrinth City' with recycled elements that count the daily
journey of a child recycler, Johan, in the streets of Lima -with his father with
testimony of the child himself, and to educate the child about the
danger of his work --That Work of Art, the Sculptural Robotic Installation
occupied 20square m2 more plus a corridor created for it. Recycled elements
from children was classifieds by colours and materials at very different
scales, sizes (from 0.25 cm to 1 cm and after to 1,30 m, most of all
with all in different colours, creating different labyrinthine urban
children's landscapes in a child universe of recycled micro toys
micro mini micro mini hanging clothes and mini colored strings, of 0.5 cm, and constructed at
different scales (from 0.25 cm to 3.5 m height) at the same time, of different
colours, multicoloured, with testimony of the recycler child, describing his
work, Sculptural installation visually with multiple bright colors and micro
zones, lights that rotate by zones, movements, with a height of 3.50
m., the most of all in plastic, but also in cloth, iron steel and wood, as
different types of cloves, pins, screws, vices, glues, etc. in different
multicolored microzones at mini scales built very finely on the
ground, in the air, on the walls, as micro landscapes of other different visual
landscapes, rotating, at multiple scales of several different 360 °
degrees and a lot of multicolored material, which they looked at and
understood different perspectives simultaneously, in different hierarchies,
displacing vision and testimony to different places and scales simultaneously. -

(A little bit as in the Sarah Sze artworks but different and in other perspectives in the opinion of Veronica Crousse and Arch. Maria Burela Pando, and in many ways of the 'real wonderful' and the tradition of creating 'new worlds' at different mini scales around as in the Latin American boom.).

For that Work of Art, this Sculptural Robotic Installation, (Result: First place winner),  Natalia Miranda had the privilege to be invited to another Public Exhibition at the end of that year.

(... and including toy ropes for jumping for children on very colored fluorescent transparent plastic, which is cut the handles and inserted inside (tubular and moldable) smooth galvanized steel wire # 18 rounded, thus toy ropes for jumping for children of plastic transparent colors are given all the desired shapes and maintain their malleability, better rigidity and multicolored transparent fluorescent, The tubes of pvc will be light gray, round, narrow, elongated, in multiple directions with little cones cut for their mini assembly in each change of direction (about eighty changes of direction at very different multiple scales from different perspectives, rounds, spirals, from the walls,etc). All this included the whole area and the height, as well as in the walls, 10 kilograms of ultra micro-mini balls of multiple fluorescent colors of plastic of 1 millimeter of thickness. They were located on the concrete floor in different areas and on mini mounds, forming around fifty micro-infantile urban landscapes of multiple colors, and filling the walls with them. From there they are thrown and also spread to the whole area in different heights (from 1 cm to three meters) and in different multiples three hundred different directions mini threads of multiple colors where they were placed micro clothes of multiple colors hung in different directions as also in 360° C , as on the roofs of Lima outdoors. They support themselves in their own equilibrium, searching its equilibrium points, and equilibrium superposition of each individual micro-mini element, as well as multiple serpentine and round entrances in the air of multicolored lines, with micro-mini elements that light up and move alone, nothing in block, because its particular characteristic is each micro-mini individual element being micro-mini-equilibrists each, forming different zones and micro-urban infantile landscapes, thus keeping their own characteristic, their individuality and their own personality and in the whole from the minimum detail and personality at 1 millimeter of scale and size at each height, up to 3 meters on the walls, rotating around. Their individuality at micro-mini scale in all the whole as well as their physical points and states of equilibrium on this atmosphere, then placed one by one, around a thousand micro-mini elements of multiple colors, point by point and on the air, in multiple directions, from 1 millimeter up to three meters high and on the walls. Round and yellow lighting spots...). (Original images of this awarded work of art: Confiscated-Spoliated).

Jury and shown: Johanna Hamann -Brooklyn Museum of Art NYC-, Veronica Crousse, Sonia Prager -Central Saint Martins School of Art London- (Sculpture), Arch. Maria Burela Pando; Julia Navarrete Stagnaro -Museum of Modern Art of Latin America Washington DC, Biennial of Sao Paulo Brazil, Biennial of Cuenca, University of Essex UK-, Susana Rossello -Scuela delle Belle Arti di Roma, Italy-, Alejandro Alayza Mujica -Palazzo Strozzi in Florence Italy, International Monetary Foundation USA, Pratt Institute NYC, Exhibition in La Habana Cuba- (Painting), Jorge Ara, Miguel Mendoza -Biennials in England, Hungary, Japan, Universities of Madrid and Barcelona (Engraving), Students: Carlos Risco Huaraca, Luis Javier (Sculpture), Claudia Martinez Garay (Engraving), Lucia Monge, Soledad Geronimo (Painting), etc.

Letter of Recommendation of Excellence at all levels: Alejandro Alayza Mujica (Painting/Dean)

-Thanks for the help and support of the artist Yury
Garcia Medina (Holographic art in 2002) during that research-. (On the other hand, Artist Vannia
Natalia Miranda Y. has also won the Art Contest at the Pontifical
Catholic University of Peru, with Jury from f.e the prestigious Central
Saint-Martin's School of Art of London, for her Photography 'Marinera
Dance', which was published as the Front Page, and August Month, of
the University Official Calendar of 2003, and that was at the same time
the Official Calendar of the National Parliament of Peru that year, under
the Presidency of Professor Dr. Henry Pease Garcia,-one of the moral
consciences of Peru-, that Official Calendar remains until now at the
Official Library of the National Parliament of Peru) // MFA Art Design (II)
2008 Ecole Superieure des Beaux Arts of Nantes, France (Research
and Professional Title,(Thanks to the magnificent
conversations,exchanges of visions, concepts and definitions from the
process until the end of my Work of Art, to Peruvian Architect Maria
Luisa Durand, BArch, Specialized in Architecture and Urbanism, of
Universidad Ricardo Palma,-Lima,Peru- living in Nantes,France) // MA
Arts and Sciences of Art (II) 2009, University of Paris I Sorbonne,
France, (Research Degree and Professional Title).

She is not interested and does not like to 'empower', globalize or award: rapists, criminals, delinquents, racists, colonialists, terrorists, xenophobes, unhealthies, or biologists conceptors of the population (to make: more or less 'diverses', more or less 'mixed', more or less 'indigenous', more or less 'blacks', more or less 'orientals', or more or less 'whites'), etc, etc, or similar. On the opposite, she prefers healthy people.
 
Please, receive all my apologies for the Works of Art that I now show you with Goodwill  in my very modest portfolio, because it is the only thing that I have been able to recover after my Spoliation and Confiscation. I hope you do not feel offended by my very modest portfolio of artist, if that is the case, I offer my very sincere apologies and I suggest you move forward.
I thank you infinitely for your understanding.
Ditto, please receive my greetings of Goodwill and Welcome towards you, especially during these times in which Syrian children are suffering so much in these horrible and devastating wars.
With pleasure,
Have a very good, happy and healthy day,
Yours sincerely.

 Nota bene:

She was also very happy of working with the children of Arco Iris Home ('Rainbow Home', of the National Institute of Family Welfare), with the creation, design, development and execution of her Free workshop of creative expression, leaving the door open to all children who would like to freely enter inside, teaching them among others, dance, movement, respiration, music, building houses of children, painting, drawing, sculpture with clay, etc, and exposing their works toward the end of the workshop, teaching them a little to be free and autonomous in their thinking, movement and artistic expression, being she always very loved by her little students.
 
In the "Arco Iris Home'' (''Rainbow Home'' of the National Institute of Family Welfare, -and Pucp- in Lima), where she was working with chidren from all over the country (from the Coast, the Mountains and the Peruvian Amazon): little boys and little girls, orphaned children, displaced children by terrorism, deaf and dumb children, children with cleft lip, children with dyslexia, children of poor single mothers, a child with minor burns, and at least one boy child raped, etc, but always optimistic, and very intelligent children (not delinquents), -they was around 18 children-, for that reason and in general for her method of work, she did not like that her little students did the cleaning of the large dining room at the end of her working day of her free workshop of creative expression classes used to executing her workshop (bright, round, with natural light and sunny, spacious, airy, naturally bright, open to the large central courtyard, nice large room very adequated), as was the suggestion and tradition there, because she did not consider her little students her domestic servants or sweepers, at least in her modest Free workshop of creative expression, where doors, windows, were opened and went without shoes, besides working also laid, extended on the floor, focusing mind, body, senses and mouvement. (Projecting, visualizing, understanding and solving and then, creating).

This type of workshop opened their mind to my little students, and an open, autonomous and healthy mind goes with a healthy body and mind, even though they have been victims of terrorism or some of them have had some kind of disability and / or trauma, in addition to be poor. They were intelligent children and they could be from afar even more, for that reason with critical and autonomous thinking, in a critical and autonomous body, instead of becoming 'production machines' already classified in advance as if they were 'second class', and even more, so that in the future they would not fall into any kind of 'stupid' ideology, just because they had some time of trauma or 'poor'. That is to say, that traditional and reactionary point of view did not interest me and my workshop went against the 'reproduction of ideological or criminal stupidity' in the future. That's why it was important, and I think that my little students knew how to value it and I am proud of that, because I feel and I believe that I have contributed very concretely to improve mental, physical, corporal and artistic quality in a free way, autonomous and creative, children and girls excluded by situations beyond them, such as terrorism and poverty, and never reproduce that, and, of course, and above all, that they never lower their head in race of any racist, terrorist, colonizer, xenophobe, ignorant, delinquent, criminal, unmoral, macho, ultra-conservative or extremist, alcoholic, drug addict, violent or rude, come from where they come, for a lot or little money, 'knowledge, education' or 'awards' that have those, etc, if not quite the opposite, and so my little students know how to assume beings human beings of free and autonomous thought, critical, and of free and autonomous body, critical, (and that they love their body and their mind, they are healthy) also, in any stage of their life and in any type of society.

For these reasons, they are ambitious and non-conformist, because they love their body and their mind, and they do not destroy or relativize, rather they build and love themselves, they assume their own responsibility for themselves and for the others, and above all this is their human dignity: 1.1 ''Of the Human Person '', and love the other as yourself, not as an inferior or sub-human, that is their excellence and their sophistication, their high human dignity.
 
Post-Scriptum:
 
Likewise, Natalia Miranda does not like that they use her father, as if he  were a 'slave of the colonial era' or a 'third world circus clown', Natalia Miranda pays homage to him, because her father is a very correct man , very enlightened, discreet and humble, with a very clear mind, always very open, whom she admires, and she follows his example of life, a man who always confronted by exposing his  life directly for several years face  to terrorists armed with submachine guns and  hooded  who irrupted into   the  own, modest and humble classroom  of my father , several times, each time  when  he dictated his classes, without flaunting it, incidents that were almost his daily routine as professor  of  the university in Lima, defending with  his life and  his ideas his students face to face against murderous fanatics decerebrate decadent destroyers.  Her  father, a humble and modest university professor is, until now, included in  the 'blacklist' of terrorists, because  he  always confront them directly, until now, lowering  them the machine guns to the terrorists when they irrupted into  his  humble classroom and giving them the option to debate and confront their ideas in the classroom if they left their submachine guns in the corridor, or   they left  his   classroom . Other professors from other faculties  cede  to the 'demands' of the terrorists for  ' x ' reasons,  ceding  them their classroom and class time, so that the terrorists could   impart  their own 'indoctrination courses and brainwashing lessons'. Her humble father was always and is up to now to  the service of his students even with his life, without flaunting it, he does not need to be 'sophisticated' in the 'first world', he is sophisticated by himself, and nobody  protects  or help him.  Natalia Miranda pays homage to her father, because he is one of those rare and exotic human beings in the world, that is, humble and sophisticated people who think and act. That is why she also requests that someone take care of her father and her family in Lima, and that they do no more harm to their family with something similar or worse than what they did to their daughter Natalia in France, when destroyed her life , because she considers that that is more than enough, although many consider the opposite. That is why Natalia Miranda  demands, with goodwill,   the   IMMEDIATE RESTITUTION, without conditions,   of   everything that was CONFISCATED her in France, because  her life  can not be repaired, and do not destroy more her family in Lima.
 

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